![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmHh7hlH_Z3wXd_AYou3yLcExdil0R4M_Jl8LDgmIIu8cfaRClvCwDeXQnS7_VO0a0fcOc_TSIQbxWdbjO-dYB2JzpO_C0oozbVcwN9yjromwrUwq0Biu80RAxVpjFsTUGteASa7CueAM/s400/Collector3.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiteNXgk2cCDzmosQ_-hlANKTJwCRV6_6qVR1oS0cI0WNqaBulSezRyTGDkIlF3i5p5L-c2kHbvnhZaRHdiU9KmhsJsIjP58iLCC6A0RxbYEFR47qMwGw_oIR309vDJ4R9l4-7AWTQkqhE/s400/Collector3A.jpg)
British artist Martin Creed takes things down to bare necessities and near dope-slap simplicity. This fine edition is a great example. A classic post-punk stomp (bah, bah, bah, bah, bah-bah, bah-bah, bah-bah-bah-bah-bah...) in a clear guitar twang driven by crisp drums with the only lyrics the song of the disaffected has ever really required. On beautiful white vinyl. Oh, and not B-side: A or AA.
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